holy hell

youaintpunk:

Series of female mugshots from the 1960s. (via)

Yeah

thechanelmuse:

Photos that speak: Fuck your fountain. Fuck your tree. Fuck voter suppression. Fuck your labels. Fuck your stereotypes. Fuck your hatred. Fuck your restaurants. Fuck that dude. Fuck police brutality. Fuck white supremacy. 

awkwardsituationist:

“world of averages” - composite images culled from thousands of individual portraits resulting in symmetrical average faces. 

toothlessloveshishiccup:

ahhh~! The Kyoshi Warriors were doing a dance for a video they are going to be in! Can’t wait to see it!

whiskersonkittens:

Juha Arvid Helminen’s Shadow People and Invisible Empire

(Source: darkasagrave)

escapekit:

Bodyscapes

“Israeli artist Ronit Bigal meticulously presents excerpts from sacred Biblical texts on the human body in her Body Scripture IIseries. Like Allan Teger’s Bodyscapes, Bigal gets in close to the contours of the human form, re-imagining the body as an abstract landscape. On the grooved, fleshy expanse, the artist systematically applies black Indian ink calligraphy in Hebrew that reveals passages of scripture.”

carlosbaila:

Marina Abramovic meets Ulay

“Marina Abramovic and Ulay started an intense love story in the 70s, performing art out of the van they lived in. When they felt the relationship had run its course, they decided to walk the Great Wall of China, each from one end, meeting for one last big hug in the middle and never seeing each other again. at her 2010 MoMa retrospective Marina performed ‘The Artist Is Present’ as part of the show, a minute of silence with each stranger who sat in front of her. Ulay arrived without her knowing it and this is what happened.”

“En los años 70, Marina Abramovic mantuvo una intensa historia de amor con Ulay. Pasaron 5 años viviendo en una furgoneta realizando toda clase de performances. En 1988, cuando su relación ya no daba para más, decidieron recorrer la Gran Muralla China, empezando cada uno de un lado, para encontrarse en el medio, abrazarse y no volver a verse nunca más. En 2010 el MoMa de Nueva York dedicó una retrospectiva a su obra. Dentro de la misma, Marina compartía un minuto en silencio con cada extraño que se sentaba frente a ella. Ulay llegó sin que ella lo supiera, y esto fue lo que pasó”